5 edition of Dodecachordon found in the catalog.
Polyphonic musical examples: v. 2, p. 287-548
|Statement||[by] Heinrich Glarean. Translation, transcription, and commentary by Clement A. Miller|
|Series||Musicological studies and documents -- 6, Musicological studies and documents -- 6|
|Contributions||Miller, Clement A. 1915-2005, American Institute of Musicology|
|The Physical Object|
|LC Control Number||66005389|
Modern scholars value the Dodecachordon for the extraordinary diversity of its contents. Ambros, for example, called Glarean the founder of musical biography and praised the breadth of his text. Others have stressed the work's significance as a musical anthology, since it contains over compositions (29 by Josquin des Prez, the remainder by. Musical Theory in the Renaissance - CRC Press Book. This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical.
The Dodecachordon of Glareanus was edited in in Basel. This book () can be considered as reedition by Ioannes Litauicus Vuonnegger (Freiburg): the first book corresponds to the first one of the Dodecachordon (), the second book to his third one, with the same chapters but with new figures and music examples. part iii the polyphony of heinrich glarean’s DODECACHORDON() 5 Exempla, commonplace books, and writing theory The ideology of humanist production: gathering and framing Glarean’s Dodecachordon as a humanist text 6 The polyphony of the Dodecachordon Musical sources of modal examples Printed sources in Glarean’s library An intertextuality of theoretical.
Several of the primary texts examined by Pesic may be found in music libraries. The American Institute of Musicology published Henricus Glareanus's Dodecachordon (trans. Clement A. Miller, ; cited in chapter 3), Girolamo Cardano's De Musica (in Writings on Music, trans. Clement A Miller, ), and Descartes's Musicae Compendium (trans. Walter Robert, ). The qualification mode as well as the Greek names are derived from the so-called "ethnic modes" of the "Glarean system", as published in by the Swiss humanist and scholar Heinrich Loris in his book Dodecachordon. In his time Henricus Glareanus, as he was called by his Latin name, propounded a new theory of twelve ecclesiastical or church.
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This is a reproduction of a book published before This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process.
We believe this work is culturally important, and despite the imperfections,Author: Henricus Glareanus, Peter Bohn. Former library book, usual library markings, but no label or markings to spine (see my images).
Magic marker to top and bottom edges; Otherwise good to very good. Free 'DELIVERY CONFIRMATION' with tracking number (in case a problem arises).
Shipping by media (standard) mail will take about weeks ( weeks to the west coast) to : $ Glareani Dodecachordon. Basilae, by Glareanus, Heinrich and a great selection of related books, art and collectibles available now at But his most famous book, and one of the most famous and influential works on music theory written during the Renaissance, was the Dodecachordon, which he published in Basle in This massive work includes writings on philosophy and biography in addition to music theory.
Dodecachordon Alt ernative. Title Glareani ΔΩΔΕΚΑΧΟΡΔΟΝ Composer Glareanus, Henricus: Opus/Catalogue Number Op./Cat. RISM B/I: ¹ I-Catalogue Number I-Cat.
None [force assignment] First Pub lication. Language Latin Composer Time Period Comp. Period: Renaissance: Piece Style RenaissanceComposer: Glareanus, Henricus. Dodecachordon, but time has shown that such is the case.
Ever since its publication inGlarean's treatise on music has been studied and evaluated, accepted by some and rejected by others. Opinions of the comprehensive value of the book have varied from age to age, from writer to writer.
In the period immediately following the appearance. Get print book. No eBook available. Read, highlight, and take notes, across web, tablet, and phone. Go to Google Play Now» Dodecachordon. Henricus Glareanus. Broude Brothers, - Music theory - pages. 0 Reviews.
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DODECACHORDON (original Greek title, ΔΩΔΕΚΑΧΟΡΔΟΝ, from δωδέκα twelve, and χορδη, a string). A work, published at Basle, in September,by the famous mediæval theorist, now best known by his assumed name, Glareanus, though his true patronymic was Heinrich Loris, latinized Henricus Loritus.
Internet Archive BookReader Dodecachordon. Dodecachordon, Volume 1 Volume 6 of Musicological studies and documents Dodecachordon, American Institute of Musicology Dodecachordon, Clement Albin Miller: Authors: Henricus Glareanus, American Institute of Musicology: Editor: Clement Albin Miller: Translated by: Clement Albin Miller: Publisher: American Institute of Musicology, Length.
Miller, Heinrich Glarean Dodecachordon, Musicological Studies and Documents 6 (American Institute of Musicology, ), Throughout this study, passages from Dodecachordon will be quoted in English from the Miller translation and cited directly in the text according to page number; book, chapter, and page numbers from the.
Glareani Dodecachordon. Basileæ, by Glareanus, Henricus, ; Bohn, Peter,[from old catalog] ed. and tr. Publication date Usage Public Domain Mark GENERIC RAW BOOK TAR download. download 1 file.
KINDLE download. download 1 file. PDF. Published Dodecachordon (Book) Acknowledged the presence of two new modes, both running up and down the white keys Aeolian A --> A Ionian C --> C Temperament: the tuning of intervals in something other than strict mathematical ratios.
Henricus Glareanus, Swiss Humanist, poet, teacher, and music theorist, known especially for his publication Dodecachordon (Basel, ). Crowned poet laureate by the Habsburg emperor Maximilian at Cologne (), Glareanus established himself briefly at Basel inwhere he came under the.
book/manuscript - This is the popular name for, The Whole Booke of Psalmes Faithfully Translated into English Metre (). This was the first book, published in Cambridge, MA, printed in North America.
It was printed by Stephen Date. This book was called for revisions because of lack of poetic grace (Grove Music Online, Marini). Book description This collection of essays investigates the work of Heinrich Glarean, one of the most influential humanists and music theorists of the sixteenth century.
For the first time, Glarean's musical writings, including his masterwork the Dodekachordon, are considered in the wider context of his work in a variety of disciplines such as.
whose Dodecachordon () put them at the service of a theory of the modes rather than of notation. The Dodecachordon is the focus of Judd's next two chapters. In chapter 5, "Exempla, Commonplace Books, and Writing Theory," she considers the Dodecachordon as a book produced by a northern humanist and examines itsAuthor: Peter Bergquist.
Title: The theory and practice of a-modes in Glarean’s "Dodecachordon", Creator: Senyshyn, Tetiana Lada: Date Issued: Description: The number of compositions with finals on A, possible modal interpretations of Acadences and the potential pitch space available in the gamut (specifically G-mi) had increased substantially by the early sixteenth century.
Polyphonic Examples of the ‘Dodecachordon,’’’ The Musical Quarte nos. 3/4, Special Issue, ‘‘Music as Heard’’ (): – 7 Isaac’s possible authorship was noted by Glarean in his index of polyphonic songs; he inserted the name of Michael of Verona in a. Abstract. Diatonic Modes can be modeled through automorphisms of the free group F 2 stemming from special Sturmian morphisms.
Following  and  we associate special Sturmian morphisms f with linear maps E(f) on a vector space of lattice ing to  the adjoint linear map E(f) ∗ is closely related to the linear map E(f ∗), where f and f ∗ are mutually related under Cited by: 2.In the later 16th century the Swiss humanist Henricus Glareanus, yielding to the musical realities of his day, proposed two new pairs of modes, Aeolian (corresponding to natural minor) and Ionian (identical with the major scale), for a total of 12 modes (hence the title of his book, Dodecachordon).
Ravenscroft's 'Briefe Discourse,' (), is a very rough example; and the 'Dodecachordon' of Glareanus (Basle, ), though so much earlier, is scarcely more satisfactory, in point of typography. The third class of Part-Books, designed to be read from the four sides of a table, was more common in England than in any other country.